Understanding Zohran Mamdani's Style Statement: The Garment He Wears Reveals About Modern Manhood and a Changing Culture.
Growing up in London during the noughties, I was always surrounded by suits. You saw them on businessmen hurrying through the Square Mile. You could spot them on fathers in Hyde Park, playing with footballs in the golden light. At school, a inexpensive grey suit was our required uniform. Traditionally, the suit has functioned as a costume of seriousness, signaling authority and professionalism—traits I was told to aspire to to become a "man". However, before recently, my generation seemed to wear them infrequently, and they had all but disappeared from my mind.
Subsequently came the newly elected New York City mayor, Zohran Mamdani. Taking his oath of office at a private ceremony wearing a subdued black overcoat, crisp white shirt, and a distinctive silk tie. Riding high by an ingenious campaign, he captivated the world's imagination unlike any recent contender for city hall. Yet whether he was celebrating in a hip-hop club or appearing at a film premiere, one thing remained largely constant: he was frequently in a suit. Relaxed in fit, modern with unstructured lines, yet traditional, his is a quintessentially middle-class millennial suit—well, as common as it can be for a generation that rarely chooses to wear one.
"The suit is in this weird place," says style commentator Derek Guy. "Its decline has been a slow death since the end of the Second World War," with the real dip arriving in the 1990s alongside "the advent of business casual."
"Today it is only worn in the most formal locations: marriages, funerals, to some extent, court appearances," Guy states. "It's sort of like the traditional Japanese robe in Japan," in that it "fundamentally represents a tradition that has long retreated from everyday use." Numerous politicians "don this attire to say: 'I am a politician, you can trust me. You should vote for me. I have authority.'" Although the suit has historically signaled this, today it performs authority in the attempt of gaining public trust. As Guy elaborates: "Since we're also living in a democratic society, politicians want to seem relatable, because they're trying to get your votes." To a large extent, a suit is just a nuanced form of performance, in that it enacts manliness, authority and even closeness to power.
This analysis stayed with me. On the infrequent times I require a suit—for a ceremony or black-tie event—I dust off the one I bought from a Tokyo department store a few years ago. When I first picked it up, it made me feel refined and expensive, but its slim cut now feels outdated. I imagine this feeling will be all too familiar for many of us in the global community whose parents come from other places, particularly developing countries.
It's no surprise, the everyday suit has lost fashion. Like a pair of jeans, a suit's shape goes through trends; a particular cut can thus define an era—and feel rapidly outdated. Take now: more relaxed suits, echoing a famous cinematic Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a significant investment for something likely to fall out of fashion within a few seasons. Yet the attraction, at least in some quarters, endures: in the past year, major retailers report tailoring sales rising more than 20% as customers "move away from the suit being daily attire towards an appetite to invest in something special."
The Politics of a Accessible Suit
Mamdani's preferred suit is from a contemporary brand, a Dutch label that retails in a mid-market price bracket. "Mamdani is very much a reflection of his background," says Guy. "In his thirties, he's neither poor nor extremely wealthy." Therefore, his moderately-priced suit will resonate with the demographic most likely to support him: people in their thirties and forties, university-educated earning middle-class incomes, often frustrated by the cost of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits plausibly align with his proposed policies—such as a capping rents, constructing affordable homes, and free public buses.
"You could never imagine Donald Trump wearing this brand; he's a luxury Italian suit person," says Guy. "As an immensely wealthy and grew up in that property development world. A status symbol fits seamlessly with that elite, just as attainable brands fit well with Mamdani's constituency."
The history of suits in politics is extensive and rich: from a well-known leader's "controversial" tan suit to other national figures and their suspiciously impeccable, custom-fit sheen. Like a certain UK leader learned, the suit doesn't just clothe the politician; it has the power to characterize them.
Performance of Banality and Protective Armor
Perhaps the key is what one academic refers to the "performance of banality", summoning the suit's long career as a standard attire of political power. Mamdani's specific selection taps into a deliberate modesty, neither shabby nor showy—"respectability politics" in an unobtrusive suit—to help him connect with as many voters as possible. But, experts think Mamdani would be cognizant of the suit's historical and imperial legacy: "This attire isn't apolitical; scholars have long pointed out that its contemporary origins lie in imperial administration." It is also seen as a form of protective armor: "It is argued that if you're from a minority background, you aren't going to get taken as seriously in these traditional institutions." The suit becomes a way of asserting credibility, perhaps especially to those who might doubt it.
This kind of sartorial "code-switching" is not a recent phenomenon. Indeed historical leaders once wore three-piece suits during their early years. These days, certain world leaders have begun exchanging their typical military wear for a dark formal outfit, albeit one without the tie.
"In every seam and stitch of Mamdani's image, the tension between belonging and otherness is visible."
The suit Mamdani chooses is deeply significant. "Being the son of immigrants of South Asian heritage and a democratic socialist, he is under pressure to conform to what many American voters look for as a sign of leadership," notes one author, while simultaneously needing to walk a tightrope by "not looking like an establishment figure betraying his distinctive roots and values."
Yet there is an sharp awareness of the double standards applied to who wears suits and what is read into it. "This could stem in part from Mamdani being a younger leader, skilled to adopt different identities to fit the occasion, but it may also be part of his multicultural background, where adapting between cultures, traditions and attire is typical," it is said. "Some individuals can remain unremarked," but when others "attempt to gain the authority that suits represent," they must meticulously negotiate the expectations associated with them.
In every seam of Mamdani's official image, the dynamic between belonging and displacement, insider and outsider, is evident. I know well the discomfort of trying to fit into something not built for me, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's style decisions make clear, however, is that in public life, image is never neutral.